Visitors to Luang Prabang are usually struck by the serene, tranquil nature of this idyllic Laos town. Luang Prabang is so small and compact in fact, it is almost absurd to call it a city. The town is a lovely place to take a leisurely walk and soak up the peaceful atmosphere that surrounds you. No cough-inducing fumes, traffic jams or the unsightly presence of fast food franchises to ruin the landscape, just lots of French style architecture and tons of monks.
The wat is a photographer's dream, there is so much that beckons the eye, and one has to be quick to take advantage when a monk goes walking by. For me there is a timeless quality that is reinforced by not being able to see the monk's face. I think a photo leaves a lot to the imagination....
The temple structure in Luang Prabang contrasts to the southern Lao and Thai styles. The sweeping tiers of the multiple overlapping " saddle " roofs spread nearly to the ground. The most impressive example is the Wat Xieng Thong. The building is lavishly decorated with mosaics of tiny red, green and blue mirrors on a gilded background.
The temple structure in Luang Prabang contrasts to the southern Lao and Thai styles. The sweeping tiers of the multiple overlapping " saddle " roofs spread nearly to the ground. The most impressive example is the Wat Xieng Thong. The building is lavishly decorated with mosaics of tiny red, green and blue mirrors on a gilded background.
There are a few customs to consider when visiting the temples or wats of Luang Prabang. First, always remove your shoes upon entering the temple. There will usually be a sign, but it general, take them off before going up the last few steps. Monks are not permitted to touch women, so female travelers should NEVER TRY TO SHAKE HANDS or pass something directly to the monk. The feet are considered the lowliest part of the body, so take care not to point your foot at any Buddha image. Finally, dress modestly on your visits to the temple. Short shorts or skirts will cause stares or possibly offense to the monks.
