"Cu Chi, the land of many gardens, peaceful all year round under shady trees ... Then mercilessly American bombers have ruthlessly decided to kill this gentle piece of countryside ... Like a crazy bunch of devils they fired into women and children ... The Americans wanted to turn Chu Chi into a dead land, but Cu Chi will never die."
Knitting past and present jarringly together, the gunfire in the film mingles with that of the nearby firing range, where visitors can pay $1 a bullet to shoot an AK-47 rifle.The rattle and pop of automatic weapons greet a visitor. Young women in the black pajamas of the Vietcong flit through the woods. A man in green fatigues picks his way down a narrow trail, leading a small platoon of foreign tourists.
This is the site of the Cu Chi tunnels, one of the most famous battlegrounds of the Vietnam War. Today it is one of the country's prime tourist attractions, part of a new industry of war tourism. Sometimes, these spots seem to be memorials to wartime propaganda as much to the war itself.
Following the man in green fatigues, the tourists arrive at an open-sided hut, where the women in black show them to their seats. There, on a big-screen television set, the Vietnam War plays on: B-52's drop strings of bombs, villagers run for cover, communist guerrillas fight back.